This exhibition takes viewers into the imagined worlds of four UAE-based artists. Through close study of their surroundings in the UAE, each of the artists here reflect on our shared futures: Areej Kaoud, Ayman Zedani, Jumairy, and Raja’a Khalid. Collectively, the artists in the exhibition explore the very concept of environment (natural, artificial, virtual). Each raises a question: how do organisms – whether human or other – create, survive, and inhabit our natural, artificial, and virtual worlds?
The four artists in this exhibition have developed their practice in the UAE, establishing a strong regional track record, as well as an emerging international presence. They share a speculative practice, extrapolating imagined worlds within existing ones.
Each installation offers an imaginary journey derived from the artists’ real-world observations of everyday life. In Khalid’s performative installation, she invites viewers to embrace personal well-being as a commodifiable trend, while Kaoud’s playground keeps visitors on high alert to ever-present risk. In two very different landscape installations, Zedani and Jumairy each propose worlds in which our natural bodies and the landscape around us manifest biological or artificial intelligence.
The exhibition is curated by Maya Allison (NYUAD Chief Curator, and Galleries Executive Director). She writes:
For me, these artists capture something unique and interconnected in their take on our environment, both in how they respond to our surroundings, and how they connect to the art scene here. There has been an apparently fast rise of contemporary art in the UAE that matches the increasingly cosmopolitan nature of the country since its founding in 1971. The art community, of course, has always existed, but began to create a very proactive grass-roots scene starting in the 1980s and 90s. Their activity was largely un-known by their international peers beyond the Gulf until around 2009, when the now-acclaimed Hassan Sharif came to the attention of major international curators. By then, the UAE’s Sharjah Art Biennial had long since become a highly-influential leader, while Dubai saw the growth of the commercial gallery sector with the pivotal Art Dubai fair, followed by the launch of a series of international museum projects in Abu Dhabi.
These three emirates (Sharjah, Dubai, and Abu Dhabi) host what has evolved into a diverse art ecology. Still, few international audiences are aware of the rising generation of contemporary artists living and working in the UAE. The community today, as much as ever, come from a mix of international backgrounds, and very often their work is in dialogue with both where we are, and the many cultures that converge in the UAE. This exhibition offers a rare lens onto one specific recurring theme that I’ve observed in this emergent scene, a theme that these four artists in particular express through their distinctly arch, speculative, conceptual practice.
For more information about the NYU Abu Dhabi Art Gallery, please contact:
Maisoon Mubarak, NYU Abu Dhabi
Maisoon.email@example.com | +971 50 322 95 32
Open daily 12-8pm, except Sundays.
Opening Reception: Monday, September 16th, 6:00pm.
Artist Talk: LEiLA1:003 – with Jumairy, Sunday, October 13th, 11:30pm
Film Screening: On Wellbeing Economies – The Cleanse, Saturday, October 19, 2:30pm
Film Screening: On Wellbeing Economies – Yoga Hakwon, Wednesday, October 23, 7:30pm
Artist Talk: LEiLA1:003 – with Jumairy, Monday, October 28th, 11:30pm
Film Screening: On Wellbeing Economies – A Cure for Wellness, Sunday, November 3, 8pm
Artist Talk: LEiLA1:003 – with Jumairy, Tuesday, November 12th, 11:30pm
Artist Talk: LEiLA1:003 – with Jumairy, Tuesday, November 26th, 11:30pm
(b. 1987, Sharjah, UAE, lives and works Dubai and Sharjah, UAE)
Kaoud is a Palestinian conceptual artist who grew up between Montreal, Canada and the UAE. She earned her MFA in Studio at Central Saint Martins College of Art and Design in 2011, as well as an MFA in Curating at Goldsmiths College in 2013. Her art practice draws on her interest in narratives and disastrous scenarios. Emergency provisions are a common subject in her work creating ambitious multi-media installations inviting the viewer to question the relationship between our bodies and politics. Kaoud’s projects articulate the distance between anxiety, preparedness, and the humour which takes place in preparing for non-immediate threats. Her ironic work puts us face to face with our anxiety-driven world that can sometimes present frightening resemblances to a dystopia.
Kaoud participated in numerous residencies including the Museum of Modern and Contemporary Art Korea, Changdong (2017, Seoul, KR), the International Studio and Curatorial Program (2017, New York, USA), Delfina Foundation (2016, London, UK) and A.i.R Dubai (2015-16, Dubai, UAE). Her work has been presented in several group exhibitions regionally and internationally such as the Tate Modern Tate Exchange (2018, London, UK), Jean-Paul Najar Foundation (2018, Dubai, UAE), Museum of Modern and Contemporary Art Korea (2017, Seoul, South Korea), The Hangar (2017, Beirut, Lebanon), Supa Salon (2017, Istanbul, Turkey), The Bolivia Biennial (2016, Santa Cruz, Bolivia), Nomas Foundation (2013, Rome, Italy), and Propeller Gallery (2009, Toronto, Canada).
Kaoud is currently working as a copy editor at Sharjah Art Foundation. She lives and works between Dubai, UAE, and London UK.
(b. 1984, Khamis Mushait, Saudi Arabia, lives and works in Sharjah, UAE)
Zedani’s lifelong passion in science and art led him to pursue biomedical science alongside art studies. He is an experimental artist that shows a deep interest in scientific processes to ignite a multiplicity of interpretations from the audience. Through a diverse set of skills and media–including sculptures, photographs, paintings, and digital techniques, Zedani inspires the viewer to consider the nature of representation and the complexity of experiential phenomena. Scientific experimentation lies at the core of the artist’s ambition to push the boundaries of artistic expression and contemplation.
Zedani has been extensively represented in numerous group shows across the region, including Sharjah Art Foundation (2018, Sharjah, UAE), Institut du Monde Arabe (2018, Paris, France), Sharjah Art Museum (2017), DCT Abu Dhabi (2017), and Tashkeel (2017, Dubai, UAE). In 2018, the artist became the first recipient of the Ithra Art Prize. His work has been supported and collected by the Greenbox Museum, Amsterdam.
(b. 1992, Dubai, UAE)
Jumairy experiments with sound, film, digital technologies, and performance to create immersive worlds. With these sensory experiences, the artist occupies and transforms spaces into provocations that usher viewers from their present time and place into imagined realms. What the artist thinks of as “Jumairy’s world” is an evolving and expansive space mapped through performative acts, scientific experiements and mysterious rituals taking place on stage, across the big screen, and within smartphone apps. The same prismatic approach structures his music, in which he intertwines Arabic electro-pop with the discordant soundscape of industrial music. Through these, the “Jumairy world” evolves, becoming a conduit through which the artist explores psychological questions and processes traumas, both personal and collective.
Jumairy’s work has been presented through residencies and exhibitions across the region and internationally. He was commissioned for the inaugural ‘UAE Unlimited’ exhibition A Public Privacy (2015) and Is Old Gold? (2017), both at DUCTAC in Dubai. In 2015/16 he participated in the Art Dubai A.i.R. programme in collaboration with Delfina Foundation and Tashkeel, which culminated in an installation and performance work at the Art Dubai fair. A residency with Maraya Arts Centre resulted in BRZ5, his first solo exhibition in Milan, Italy organised by FARE Arte. His work has been collected and supported by Barjeel Art Fundation and Maraya Art Centre as well as being acquired by private collectors.
(b. 1984, Jeddah, Saudi Arabia, lives and works Dubai, UAE)
Khalid is an artist of South Asian descent based in Dubai. She received her MFA from Cornell University in 2013. Khalid’s work has been exhibited in regional solo exhibitions at Tashkeel (2017, Dubai, UAE) and Grey Noise (2016, Dubai, UAE). Selected group exhibition participation includes ARCO Madrid (2018, Madrid, Spain), the 6th Edition of Athens Biennale (2018, Athens, Greece) Art Jameel (2018, Dubai, UAE), VITRINE (2016, Basel, Switzerland). She has been a resident at the International Studio and Curatorial Program (2015, New York, USA), Rijksakademie van Beeldende Kunsten (2015, Amsterdam, Netherlands) and Künstlerhaus Büchsenhausen (2015, Innsbruck, Austria). She will be joining the Jan van Eyck Academie (Maastricht, Netherlands) for a year-long residency in September 2019.
Khalid’s work has been exhibited in regional solo exhibitions at Tashkeel (2017, Dubai, UAE), Alserkal Avenue (2017, Dubai, UAE), and Grey Noise Gallery (2016, Dubai, UAE). Her work also featured in numerous group exhibitions both regionally and internationally, including Art Jameel (2018, Dubai, UAE), VITRINE (2016, Basel, Switzerland), Queens Museum (2016, New York, USA). In 2014, Khalid was commissioned to create an artwork for the Global Art Forum 8 by Art Dubai.
This exhibition focuses on the creative community, sometimes called “the 5.” An intersection of artists, writers, and filmmakers from the UAE, South Asia, and Europe.
Saidi Ali Nasser Sowafy’s paintings immerse audiences in richly symbolic visual representations of 20th-century Ugandan village cultural and social life.
“The Sovereign Forest” in collaboration with Sudhir Pattnaik/Samadrusti and Sherna Dastur.